The flying low classes focus mainly on the dancer’s relationship with the floor. The class utilizes simple movement patterns that involve breathing, speed and the release of energy throughout the body in order to activate the relationship between the center and the joints, moving in and out of the ground more efficiently by maintaining a centered state. There is a focus on the skeletal structure that will help improve the dancers physical perception and alertness. The class includes partnering work and movement phrases, which explore the primary laws of physics: cohesion and expansion.

When you are standing, the whole room is standing. When you are moving, the whole room is moving. The body is constantly spiraling, whether running or standing. Thesespirals help the dancers into the floor and out of the floor. These spirals already exist; the class focuses on finding them. The spirals help the dancer see themselves and the room from all sides. The spirals propel the class all over the room, both on the ground and upright.

 

Passing through uses the dynamics of complex systems to create a collective web. The group will create dynamics that will be flexible, complex, getting the group to fit tight together, yet always keeping doors open for the unpredictable. The group moves constantly, transforming the environment of the dance. The room is full of pathways - infinite pathways passing through the walls, the floor, even the bodies. These pathways go in any direction and are filled with curves, large and small.

Visible and invisible spirals are constantly passing through the students. Thus the “passing through” is created into a spontaneous composition. When the group becomes one mind, it can never get lost, there is never one person leading, everyone is following.

The whole group is constantly traveling, weaving their bodies inside and out of their classmates and still always aware of the environment around them.

After taking part in the “passing through” the student will learn to instantly connect with their environment and become more spontaneous in the making of choices as an improviser, choreographer or dancing in someone else’s work.